Thursday, April 11, 2024

Thank you to Joseph Carrabis and RoundTable 360°

March 28th, I was invited to participate in a Roundtable 360° discussion about creativity and the imagination. Joseph Carrabis and other creative personalities from music, art, theater, and writing wanted to answer the question have you ever wondered what makes creative people creative? 

Each participant in the round had their own perspective about what makes creative people creative. 

Summary

Being with a group of talented people - regardless of their chosen media - and listening to them discuss their work, how their work choice has shaped their lives, their goals for their work, et cetera, has been a dream of mine since my college years.

Now that dream has a name and place - RoundTable 360°. We get together the last Thursday of each month, share how our disciplines have shaped and changed us, and explore how one discipline can inform another. For example: What can authors learn about setting scenes from photographers? What can dancers learn from painters about expression?

What do you think? Is everyone creative in their own special way? Left brain or right brain, it doesn't really make a difference? Architects are creative with specs and drawings of a building. Biologists are creative in developing new methods to research cells and diseases. Artists are creative in how they use color and geometry to create paintings. 

Humanity sets itself apart from the animal kingdom by being creative for entertainment and developing a culture.

Creative people have to learn to shut off the outside world and cultivate their inner stirrings. The present moment is the time that supports the creative function. 

It was a nice talk. I enjoyed the informal debate and dialogue between the Roundtable members. I even got to throw in my two cents worth. 

If you would like to be a participant, then please contact Joseph Carrabis

Thank you for inviting me!

Have a great and creative day. 

 

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Schedule DL Mullan for Your Event

With Undawnted's Booking Form, it is easy to book DL Mullan for your online Blog Tour, Book Event, Author Interview, Writing Conference, or Genre Convention. 
 
Ms. Mullan has years of experience in public speaking, readings, presentations, events, and tours.

 
Book, a quality author and presenter with Undawnted.

 

 

Monday, April 8, 2024

Undawnted Presents, Eclipse: Cloaked by Totality Available Online

An eclipse-inspired chapbook full of humanity's curiosity and culture that has surrounded solar and lunar eclipses for centuries.

This total eclipse dives deep into the heart of the matter. Eclipse is a themed chapbook with mythological, meteorological, astrophysical, and literary aspects weaved throughout the poetry to create a one-of-a-kind reading experience.  

Some reader acclaim about various poems are:

"Excellent."
"More like cloaked by powerful words!"
"Love this."

The Wide Release Party is starting on Undawnted's Official Newsletter, Undawntable, this evening. Don't miss your chance to celebrate the solar eclipse, this chapbook, and the poet herself. 

Find your totality with Eclipse.

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Never miss another release, follow DL Mullan on Books2Read.

 

Thursday, March 14, 2024

Undawnted Presents: a WordCrafter Blog Tour for Northtown Angelus by Robert T. White

On the path of great resistance, Raimo Jarvi, private investigator, searches for answers. Northtown authorities no only lack those answers, but empathy. Without anyone to turn to, P.I. Jarvi tries to discover what really happened to Johnny Dillon for his widow, Cora. With an angel on one shoulder and a devil on the other, will Raimo Jarvi succeed where others have failed? 

If you like crime-drama and private investigators, then Northtown Angelus is for you. Enjoy the dynamic characters and plot lines in this novel. 
 
Robert T. White offers readers an adventure of the mind and senses with his writing style. 
 
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Style in Crime Fiction, What Value?
Robert White

There are some words in the English-speaking world that can still stop conversation cold. Murder, Kill, Rape—to name three. Unfortunately, given the prominence of vulgarities in our society from top to bottom, one cannot even name the dreaded words that stand-up comedians alone risked using in public without fear of reprisal. The all-too-frequent f-bomb and most racial epithets still have clout but nothing like what they used to possess. Style is one of those ambiguous words that seem to have shed power and meaning rapidly in our time. Like “beauty,” style today is deemed to exist in the eye of the beholder. If you like Linda Fairstein’s or Lisa Scottoline’s fiction, you say that those authors have great style and you can point to the volumes that stretch from one end of a public library’s shelves to the other. “Count ‘em,” you say, and there’s your evidence. Or check the Times bestsellers list and there you find the usual suspects like James Patterson and Clive Cussler. 

At some point the notion of style as being more than personally argumentative becomes necessary if you are to be inclusive in your definition and you find yourself veering helplessly toward the metaphysical. If a physicist hands you a red ball and asks, “What color is it?” and your reply is immediately to say, “Red”; you feel the rightness of your response without demur. If that physicist places the ball in the yard at midnight and asks you the same question, can you so confidently answer “red” when you can’t see anything out there at all? 

That’s the problem with “style,” it seems to me. It becomes personal extremely fast and you are tempted to become overly assertive in your particular defense of the word. No one wants to go on record to say Shakespeare’s has no style. But how far would you get arguing for that lush Elizabethan prose in our slang-riddled, monosyllabic era? Is there a TikTok or Instagram influencer who doesn’t think everything is “awesome”? That word used to be restricted to quaking-before-the-throne-of-God circumstances only. Today it flutters from every teenager’s tongue. Not that word choice and word meanings are the essence of style. (I once read Roland Barthes’ analysis of Balzac’s Sarrasine, and I beg you, do not open up that can of structuralist worms.) 

So how do we get such a critical term away from the flotsam and jetsam of criteria that issue from personal subjectivity? Not for the sake of mere semantics but to get a better understanding of why certain writers from the dilettantish drabble writer through the pedantic critics and scholars with their weighty tomes to the writers we read for pleasure in all genres. There’s no yardstick I know of that applies in all cases and situations. 

A better way to start is by example. I recently came across a passage in Martin Cruz Smith’s Havana Bay who described the sluggish water flowing beneath a Moscow bridge in turgid brown folds. The imagery of that brief, incisive description stopped me short and it stays with me, even though I can’t quote the exact words he used. I remember savoring it before continuing. In fact, it’s a rare page of his in any novel that doesn’t have at least one example of that kind of striking blend of the familiar grappled to the exotic in such a way you know exactly where you are in time and space. Does that move the plot? Not incrementally but it holds you in the author’s grasp and, unlike so many bestsellers we could all name, doesn’t allow you to wander off to the next sentence or skip like a goat to keep the plot moving in your head. Less is more.

Smith’s ability to toss a passing glance like that, one of many taken by the seeing-eye narrator, held me in its grip throughout the novel and every one of his Renko books. The accretion of those diamond-sharp images hits some chord in the neocortex, or wherever delight comes into contact with cognition, that enables me to pass a value judgment: Damn, I say to myself, this guy is good . . . But assessing the great from the good and the good from the mediocre isn’t as formulaic as I and other readers would like it to be. There are so few descriptive references to Arkady Renko that you could cut-and-paste them in a paragraph: he’s too thin, smokes like a chimney, is dismissed by cretins and his enemies too easily, loves with passion. It’s not him we need; it’s the mind behind him. 

So, to sum up with a fatuous cliché, we know what we like, we say, to our opponents who champion other writers or, worse, are blind to the greatness in style we see so plainly. Shakespeare certainly had that, even though his contemporary Ben Jonson, who claimed to love him ”this side of idolatry,” wished his greater contemporary had revised “a thousand times” when told Shakespeare never revised a line of his plays. He didn’t like Shakespeare’s mixing of clowns and kings. He had a “magic touch” but he lacked “art.” 

When we talk about the contemporary murder mystery, we are talking more clowns than kings. But if “art” is to be equated with “style,” how can anyone claim that the best writers in the genre do not have it because they deal mainly with clowns/murderers? Of course, murderers can be well-spoken, possess degrees from an ivy league college, but those are minor features of killers and victims alike unless you insist on an all-egalitarian approach of killers, victims, and gumshoes alike. 

I can’t settle the argument but I can offer three criteria for a definition of good contemporary style across the board. My first criterion is simple: a writer can’t use ten words when one or two suffice. Second, a writer cannot violate the boundaries he or she establishes at the outset that include point of view’s restrictions on mind-hopping. 


When I first began reading the Henning Mankell series, I thought the translator had taken too much Ambien at night. Then I got hooked on the catalog of the mundane and the seemingly trivial. I couldn’t wait to grab my next Wallander volume from the shelves. My knowledge of Nordic crime-fiction writers is too thin to allow a comparison other than a brief contrast with the grim landscape in Stieg Larsson’s Millennium trilogy. (Note to David Fincher, director of Girl with the Dragon Tattoo: Casting Daniel Craig was not breaking a rule to avoid the awkward; it sacrificed verisimilitude for the bottom line.) Two hugely different styles albeit in translation from one language. 

Which brings me to that third rule about greatness in style, something I lifted from a freshman handbook on composition, The Elements of Style by William Strunk and E.B. White. simple word title: Style. It offered rules for everything in good writing and concluded with this rule, which I’m paraphrasing: “Break any rule rather than say something awkward.” It seems to me that the best writers know exactly where and when to break rules, when to follow them, and to do so in a way that creates their own unique signature as writers. Of one thing I am sure, no writer writes not to be read, no matter how skimpy, precious, or elitist the readership. All writers need it the way fish need oxygen passed through their gills. When I ran this essay through the grammar checker, it told me to eliminate a couple uses of “very,” which I did. I did, however, draw the line at ejecting “flotsam and jetsam” for the substituted “miscellaneous items.” There’s a hill I’ll die on. Jonson was right about Shakespeare: he had the magic touch. He could make you see a red ball in a black night.

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Giveaway

Each stop where you leave a comment,

you get another chance to win one of five digital copies,

and one signed print copy of Northtown Angelus.

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Author Bio

Robert T. White writes from Northeastern Ohio. He has published several crime, noir, hardboiled novels and genre stories in various magazines and anthologies. He’s been nominated for a Derringer. “Inside Man,” a crime story, was selected for Best American Mystery Stories 2019. His second hardboiled p.i. series (after the Thomas Haftmann mysteries begun in 2011 with Haftmann's Rules) features Raimo Jarvi in Northtown Eclipse (Fahrenheit Press, 2018) and Northtown Blitz (2020). British website Murder, Mayhem & More cited When You Run with Wolves (rpt. 2018) as a finalist for Top Ten Crime Books of 2018 and Perfect Killer in 2019. “If I Let You Get Me” was selected for the Bouchercon 2019 anthology and The Russian Heist (Moonshine Cove, 2019), another crime thriller, was selected by Thriller Magazine as winner of its Best Novel category. "Out of Breath" and Other Stories is a mixed collection of mainstream and noir fiction (Red Giant Press, 2013).



Wednesday, January 17, 2024

Extra Extra! The Descent is a Horrorific Good Read

Genre poetry, especially The Descent's: darker breed of poetry, is often overlooked by poetry lovers. This Autumn Cider Seasonal Reads staple here on Undawnted is a great way to vibe with the change of seasons.

On Writing to be Read's Treasuring Poetry column by Robbie Cheadle, she not only delves into my Edgar Allan Poe, Emily Dickinson, paranormal inspired chapbook, but she enjoyed it as well.

Treasuring Poetry, 2024: Introducing the poetry of DL Mullan and a review is available to read. In this interview, I discuss my inspiration and journey into writing poetry. The classics are a beautiful influence and help me ground my creative pieces. My interview also exhibits three poems from other chapbooks. Transcendence is in my upcoming Impetus. The Flower Within lives in Effloresce, which is being expanded for a future release. Weather and Asymptote reside in Phantastic.

I hope poetry lovers read my upcoming chapbooks as I re-release these poetry books from one platform onto another. This year, I plan on publishing at least two chapbooks, Eclipse being one of them. I cannot wait to share my lyrical visions with an expanded audience. 

My Long Form Poetry will be published in an upcoming collection, but most individual poems are available in my Special Editions Store.

Thanks again, Robbie Cheadle, for your kindness and review of my poetry.

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DL Mullan has been writing award-level poetry for thirty years. Recently, she has showcased her literary talents by self-publishing several collections of her poetry. She also writes novels, designs apparel, and creates digital art. Ms. Mullan‘s creative writing is available in digital and print collections, from academia to commercial anthologies.

As an independent publisher, she produces her own book cover designs and video presentations, as well as maintains her own websites. She is an award-winning digital artist and poet. 

Join her Undawntable Newsletter for everything Undawnted. Be sure to enroll in her Substack writing program, RhymeScribe, which focuses on the form and function of poetry. Become a YouTube subscriber for her Poetry Slam updates.

http://www.undawnted.com

http://www.undawnted.com/p/poetry.html  

http://www.undawnted.com/p/long-form-poetry.html


Saturday, December 16, 2023

Novelette Review: The Town Santa Forgot from Writing to Be Read

Writing to Be Read's Kaye Lynne Booth published her review of The Town Santa Forgot

"Not to give too much away, but The Town [Santa Forgot] : A tale that will tickle the whole family’s fancies. The perfect holiday gift, but would be fun to read year round. As with most Christmas stories, this one is filled with love and hope." 

This Yuletide Carol is a history-mystery tale with added supernatural occurrences and a love-lost romance. Move over holiday romcoms, The Town Santa Forgot has arrived!

For the rest of the review and quill rating, visit Writing to Be Read

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The Town Santa Forgot is available as an eBook at AmazonBarnes&Noble, AppleBooks, Smashwords, and other fine retailers.   

Grab your copy today! 

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A writer at heart, Undawnted's own creative spark, DL Mullan, began writing short stories and poetry before adolescence. Over the years, Ms. Mullan has showcased her literary talents by self-publishing several collections of her poetry. She also writes novels, designs apparel, and creates digital art. Ms. Mullan‘s creative writing is available in digital and print collections, from academia to commercial anthologies. As an independent publisher, she produces her own book cover designs as well as maintains her own websites. She is an award-winning digital artist and poet.

Currently, she has embarked on writing her multi-book Legacy Universe, Supernatural Superhero Series.

For news and updates, subscribe to the Undawntable Newsletter



Tuesday, December 12, 2023

Cover Reveal for The Town Santa Forgot

It is with glad tidings that Undawnted's DL Mullan reveals the cover art for The Town Santa Forgot: 

I had a fun time creating this book cover, and I had even more fun teasing my readers about it. I create my own covers. Digital art is one of my passions. I began producing my own line of digital art called: Spacescapes, circa 2000, and winning awards at Science Fiction Conventions as well as the Arizona State Fair.  

Over time, this art form went from art shows to the cover of many publications, not just my own. One of my first pieces of art won the best Western cover during an online book event. That was thrilling.

Today, I want to reveal to the general audience my creation for The Town Santa Forgot. I hope you find the art compelling, intriguing, and purchase-able! 

The Town Santa Forgot has its publication release party on my Undawntable Newsletter on December 18th. Please join us! It's free. It's fun. You could win your own copy of the novelette, The Town Santa Forgot

Cheers!

Have a great rest of your holiday season.

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A writer at heart, Undawnted's own creative spark, DL Mullan, began writing short stories and poetry before adolescence. Ms. Mullan showcases her literary talents by publishing her creative writing. She has short stories and poems published in digital and print collections, from academia to commercial anthologies. In addition, she writes novels, designs apparel, and creates digital art. Ms. Mullan produces her own book cover designs for herself and others. She is an award-winning digital artist and poet.

Currently, she has embarked on writing her multi-book Legacy Universe, Supernatural Superhero Series.

Join her Undawntable Newsletter for news and updates.


Wednesday, December 6, 2023

Nano Nano: 50K Words and the Elusive Polite Society

Well, writers, how did you do during November? 

Nanowrimo is marathon-running for the creative mind. The imagination is exercised by creating new characters, charting a destination, building a fantasy world, and writing everything in-between. It can feel like running an actual marathon. 

This year, I committed to writing Sacred Homicide. Unfortunately, I only wrote halfway to the goal of 25,000 words, due to constant interruptions in my environment. With an industrial air cleaner, laundry machines, and noise-cancelling headphones, you would think I could find the quiet time necessary to write. In normal circumstances, I would agree, but the peanut gallery who live around me believes that their ruckus is far superior to any neighbor's need for privacy. This entitlement to other people's time, energy, and property is a symptom of the me, me, me culture. 

Not sorry, but living out loud ends at my property line. I don't owe you anything. The time that is wasted by acting like out of control juveniles for my attention is time I can never get back. Theft comes in all forms, and stealing someone's time, energy, and the use of their private space is one of them. 

But you are living on stolen land! That is incorrect, where I live the land was purchased from the country south of our border. Not stolen: bought. Not once, but twice, did the landholder sell to the United States in the American southwest: The Treaty of Guadalupe-Hildago and The Treaty of the Gadsden Purchase. 

But, but, but...!!! I wish people would stop acting like their heads are in their butts. That would be most helpful. 

Stolen land, reparations are excuses to behave like situational victims, when in fact, other people haven't inflicted any course of action against you. Stolen land was hundreds of years ago. Reparations were over a hundred years ago. So, it appears the only person victimizing you is, well: YOU. Then you take that angst, attack your neighbor for their skin color and the lies of "social justice." Social justice in my day meant: vigilantism, and that domain was left for comicbook movie characters. There is no justice without a fair trial, and I preface that statement with being unbiased, uncensored, and politically neutral. 

If you truly wanted justice, then if your family was denied their reparations: it's called a lawsuit. It's not for politicians to hand you taxpayer money. You have to make a real evidentiary case out of why you deserve what was denied your ancestor. Until someone can prove beyond a reasonable doubt that this occurred and is a descendant, then why is this being used as emotional blackmail on other Americans? The court system is for Americans to redress their grievances, especially against their government. Go redress them, if you believe that you have a case.

Instead of doing the right thing, we have manufactured a culture of "karens." Karen is defined as someone who has to insert themselves voluntarily into other people's lives and then cries victim. I have an entire neighborhood full of karens. From playing loud music; drunk/disorderly parties; neglecting their children; loud, heavy bass vehicles; revving noisy engines at midnight; or anything else that creates undue attention to themselves, as long as the spectacle places them in the spotlight. Then these karens complain when you tell them to shove off and start acting like mature adults and responsible parents. 

But... but... but, here we go again. It's my culture. It's for my community. As an American? Nope, I don't think so, and it's embarrassing. Cultural appropriation of another nation's holidays and rites of passage is reprehensible. But, my grandmother came from the old country. You didn't, so what is your excuse? Don't say: stolen land, because you never owned this entire parcel of land. You only own your property. Just like me.

So which is it? Live your life in your front yard and middle of the street, which then your dirty laundry is open to public criticism. Or, live your life like respectable adults, and keep the shitshow away from public view? 

I rather keep my private life my own, so I can write, create digital art, and do community service... if it's all the same to you. 

Therefore, I uploaded another writing project to Nanowrimo that I have been working on: The Town Santa Forgot. It's complete, except for placing the correct word count on that site. Editing is done, but I am still polishing here and there for publication later on this month. 

The book cover is finished. There is a Cover Reveal Party this weekend online. I hope to see everyone who loves books participate.

And remember that being a good person who lives with others in peaceful harmony is more than a choice: it's how a society prospers. Without an auspicious society, we have no culture. No culture, and there is no need for creative writing, art, or community service. In a collectivist society, those expressions are hijacked for spreading propaganda. Be an individual and let your imagination become unleashed!

It's something to think about.

Have a great rest of your day.

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A writer at heart, Undawnted's own creative spark, DL Mullan, began writing short stories and poetry before adolescence. Over the years, Ms. Mullan has showcased her literary talents by self-publishing several collections of her poetry. She also writes novels, designs apparel, and creates digital art. Ms. Mullan‘s creative writing is available in digital and print collections, from academia to commercial anthologies. As an independent publisher, she produces her own book cover designs as well as maintains her own websites. She is an award-winning digital artist and poet. 

 Keep up with her activities by subscribing to her monthly/quarterly A Novelist Idea Newsletter.




Sunday, December 3, 2023

December is a Winter Frost Wonderland

2023 is coming to a close. Even though next year brings changes to our content and lineup as we grow, Undawnted continues spreading the Yuletide spirit in the now.

A Novelist Idea will have another graduation for completers of our newsletter's creative program, Hint of the Divine, but this curriculum will move from the newsletter to a fee-based membership in 2024. Stay tuned as Undawnted's Member's Only area develops. 

This last month of the year will see more events arise. The cover reveal party for The Town Santa Forgot will be hosted by our publisher: Sonoran Dawn Studios: Yuletide Jingle: Cover Reveal Party. December 9th-11th, this party will bring our audience new authors to follow and read, as well as contests and prizes. Don't miss your chance to celebrate the holidays with DL Mullan, especially her upcoming Winter Solstice and The Town Santa Forgot release parties (via A Novelist Idea Newsletter). 

Join now and be ready for more publication and cover reveals in the coming weeks. Undawnted's Winter Frost Seasonal Reads program helps with gifting and getting into the spirit of the season. 

This year has been wonderful for creativity and the imagination! 

Thank you all for your continued support of independent creators.

Have a joyous and fulfilling holiday season.

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A writer at heart, Undawnted's own creative spark, DL Mullan, began writing short stories and poetry before adolescence. Over the years, Ms. Mullan has showcased her literary talents by self-publishing several collections of her poetry. She also writes novels, designs apparel, and creates digital art. Ms. Mullan‘s creative writing is available in digital and print collections, from academia to commercial anthologies. As an independent publisher, she produces her own book cover designs as well as maintains her own websites. She is an award-winning digital artist and poet. 

 Keep up with her activities by subscribing to her monthly/quarterly A Novelist Idea Newsletter.




 





Friday, October 20, 2023

Being Mangled is Just the Beginning of the Artificial Intelligence, Cybernetic Discourse

Thank you to Joseph Carrabis for publishing my article: Being Mangled is Just the Beginning on his blog for the Midnight Roost horror anthology.

Mangled is a sci-fi, horror short story about life, death, and technology, but more importantly, it is a story about Sarah Mitchell, a Specialist in the armed forces:

The only survivor of a roadside bomb, Specialist Sarah Mitchell lives most people's nightmare. Her entire squad is killed. In the bustle of a busy emergency triage center, she is forgotten.

When she survives until morning, others come to claim her. One by the use of technology and the other by energetic consciousness, but both manipulate the quantum singularity. In an experiment to merge human consciousness with machine, which will consume Sarah, what will she do? 

Will she continue to serve her country in another capacity? Or, will she choose the unknown and walk into eternity with a complete stranger?

No matter what Sarah decides: living forever has its consequences. 

This short story is an important dialogue starter about the potential harnessing of human consciousness into cybernetic technologies. 

If you would like to read the article, visit Joseph Carrabis' site: Being Mangled is Just the Beginning

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From the author of the cutting-edge science fiction classic, The Reality Hackers, DL Mullan has brought readers a new type of horror: eternal slavery through technology. 

Don't miss another heart-stopping moment! 

Join her Creative Tribe of Fearless Philes through Undawnted's Undawntable newsletter

Because What-If... life imitates fiction?

 

 

Tuesday, October 17, 2023

WordCrafter Blog Tour for Midnight Roost: Christa Planko and MJ Mallon are Spooky Fun Authors

Video Reading from The Cull by MJ Mallon

 


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MJ's writing credits include YA, paranormal, best-selling horror, supernatural short stories, flash fiction, poetry, pandemic inspired poetry and best-selling anthologies. 

Poetry/flash fiction collections include Lockdown Innit, Mr. Sagittarius Poetry & Prose, The Hedge Witch And The Musical Poet and Do What You Love. 

Her eclectic blog shares her love of reading, reviewing, writing, poetry, photography, and travel: https://mjmallon.com.

Visit MJ's Social Media Sites: 

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Giveaway

A chance to win a free digital copy of Midnight Roost at every stop. Just leave a comment at Writing to Be Read to show your support for the tour, the anthology, and all of the fantastic authors.


To buy the Midnight Roost anthology 
with both author's stories,
 visit: Books2Read.


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Interview with Christa Planko about her short story: The Easterville Glass Ghost


What inspired you to write “The Easterville Glass Ghost?”

My inspiration for “The Easterville Glass Ghost” began with a trip to the Estellville Glassworks, a historic site near me. I first visited the site when I moved to the area in 2008. It has haunted me ever since!

Today, the glassworks is more of a graveyard for the 19th -century factory that bustled with activity from 1825 to 1877. Most of its structures have nothing left beyond their foundations. But the most prominent structure, the melting furnace, has three stone walls remaining. The front of the building features four large arches. Beyond these walls lies brick and stone rubble and the deep pits where glassblowers would form molten glass into cylinders.

Imagine how eerie it is to walk through the woods and happen upon Estellville’s imposing arched structure! As many times as I’ve returned to hike in the surrounding woods, I always get chills when the ruins first come into sight. It has prompted many imaginative musings about the people that lived and worked there. What was it like to work among fiery furnaces, handling molten glass? Was it competitive work? Was it dangerous? So dangerous that anyone ever died?

These musings led to the creation of “The Easterville Glass Ghost.” The story came together based on my own research about the factory and 19th -century glassblowing, coupled with imagination and fictional characters.


Have you ever had a ghostly encounter?

I did have an unexplained experience once. It involved the sensation of a hand sliding down my shoulder to my back. And it so happened that it was at the site of the Estellville Glassworks. This experience is what I fictionalized in my story.

While I’m not sure I had an actual “ghostly” encounter, if a spirit was present that day, it was a protective one. Nobody else was around at the time. I was technically trespassing at the site, climbing on top of a brick pile for a better view. The hand I felt on my shoulder coincided with me losing my footing—kind of like a steadying hand, ensuring my safety.

So, do I believe in spirits? I’m not sure about ghosts, but I do believe in spirit. By that, I mean the spirit that comprises character and lives on after a person expires. Elements of the human spirit—such as love, joy, kindness, gentleness—transcend time and space. These are things that we remember about loved ones and others who have passed. They are the traits written about heroes in history books. They imprint on us, encourage us, and inspire us to be the same—to make a difference in others’ lives. This is also a theme I aim to capture in my story.

Thank you for your questions and the opportunity to participate in the blog tour for Midnight Roost!

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Christa Planko, MA, is a professional writer with a passion for creative expression. She has had her poetry and short stories featured in several publications, including Tanka and Haiku Journal, Poetry Quarterly, New Jersey Bards, and Every Day Fiction. Her story, “The Olde-Tyme Village,” won the 2021 WordCrafter Short Fiction Contest. Christa resides in South Jersey with her feline muses. 

Christa graduated from Rutgers University (New Brunswick, NJ) with a BA in English Literature and from Drew University (Madison, NJ) with an MA in English Literature.  

Website: https://christascorner.godaddysites.com
Facebook: https://www.facebook.com/ChristasCorner2023

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Purchase

To buy the Midnight Roost anthology 
with both author's stories,
 visit: Books2Read
 
 



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