Showing posts with label writing craft. Show all posts
Showing posts with label writing craft. Show all posts

Tuesday, November 30, 2021

WordCrafter Lingering Spirit Whispers Paranormal Anthology Set Blog Tour: Undawnted Interviews Kaye Lynne Booth

About the Anthology Set

Lingering Spirit Whispers Paranormal Anthology Set, which is released today, December 1st, 2021 from WordCrafter and is available for purchase.

This anthology set is a bundle including Whispers of the Past, Spirits of the West, and Where Spirits Linger. All three anthologies combined into one convenient paranormal set for lovers of ghost stories.

Amazon Books

 


 

 

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Author Interview: Kaye Lynne Booth
"Woman in the Water" (Whispers of the Past), "Don't Eat the Pickled Eggs" (Spirits of the West), "The People Upstairs" (Where Spirits Linger)


Where does your inspiration for writing stories stem from?

The inspiration for “The Woman in the Water” (Whispers of the Past) came as I was sitting in front of a roaring waterfall one afternoon. The whole story just unfolded in my mind with the real life setting as the background. I went home and typed it out on my keyboard until the whole tale was down.

The inspiration for “Don’t Eat the Pickled Eggs” came from a paranormal experience of a woman that I knew. Her boss had passed on and she believed that he came to her one night. This created the beginning for the tale of Lillie Belle, a saloon bookkeeper who experiences a visit from her saloon keeper and friend before she is aware that he is gone, and it’s up to her to solve his murder.

The idea for “The People Upstairs” rolled around in the back of my brain since I was a young girl, living at my grandmother’s home. Her housekeeper was an old woman who lived alone in a big house, but she only used three rooms, closing off the rest of the house, and she made some very strange claims, including one that there were people living on the second floor of her home. These ideas led to conversations with my mother and grandmother, and folks around town said that she was crazy. But she always had time to talk with me, even when she was working, and I considered her my friend. After she died, I missed her and I always wondered if maybe the things she said were true, if maybe she wasn’t crazy after all. “The People Upstairs” is the resulting story.


Were you always interested in becoming a writer? Or did this craft come to you later than your formative years?

I have been a writer since 1996, the year I sold my first poem. I floundered around trying to figure out what I was doing and the proper way to go about it. That didn’t come until much later, 2012, when I enrolled in Western State Colorado University to earn my M.F.A. in Creative Writing.

Writing is a passion for me. It helps me focus and helps me to keep my sanity. I think all people have a need to express themselves, but they do it in different ways. My self-expression just comes out in the written word.

Writing in the horror genre, specifically the subcategories of the supernatural and paranormal, is specialized. How is this genre different from others you have written in? I think you have to work harder to gain reader buy-in with fantastical genres. When I wrote my western novel, Delilah, I had to work to make readers buy-in to my tough, gritty female protagonist, but I don’t think that is nearly as big a challenge as trying to make readers believe the unbeleiveable.


Are you interested in writing the grotesque or psychological variations of horror?

I wrote a flash fiction piece, “The Haunting of Carol’s Woods” which was featured in Nightmareland, Book 3 of Dan Alatorre’s Box Under the Bed series. That one was inspired by a dream that I had and it was kind of creepy. But I’m not particularly interested in writing like Clive Barker or even Peter Straub.


Do you draw on any experiences you may have had in your life in order to write your stories?

Absolutely. Doesn’t every author? There is good sense in the old adage “Write what you know”. I’m a believer in ghosts and have had several personal experiences, maybe that’s why I like to write ghost stories.

What is the most horrific story you have read in a book/seen on the screen that stayed with you for years? Ever since I was a young girl I’ve been drawn to the horror genre. As a teen, my favorite author was Stephen King and I gobbled up everything I could get my hands on that he wrote, but I also liked John Saul, and Anne Rice. Stories such as those are sure to warp your mind just a little.

When I was fifteen I was babysitting and I found a copy of The Shining. After the kids were in bed, I picked it up and started reading. I found I couldn’t put and kept reading well into the night. At four a.m., when I started to nod off, I was too scared to go to sleep, so I called and woke my mother and made her talk to me until my nerves were calm once more. After I hung up with her I couldn’t resist finishing the rest of the book. I had to know what happened.

Whispers by Dean Koontz gave me a good case of the creeps and stuck in my brain after I learned that the ‘whispers’ were cock roaches. It sends shiver down my spine, even now.

There was a short story in a horror anthology that I read when I was pregnant with my oldest daughter, about a baby that was possessed and killed its mother. Understandably, that one stayed with me for a long time and really creeped me out, but I can’t even remember the name of the book or the title of the story now.


Did that influence your writing in any manner?

Horror is difficult for me to write. My brain is not that warped. I guess I am no Stephen King. Lol. But I do enjoy creating tone and setting for my paranormal stories, which are just a milder form of horror.

What haunted location would you like to visit and write in? Would you write about the place and its history? Or would you write a story inspired by the paranormal energy felt there? I have visited many haunted locations. In fact, the submission guidelines for Where Spirits Linger was a paranormal story that revolves around a setting.

I’ve made several visits to a haunted hotel in Cripple Creek over the past year, The Hotel St. Nicholas. There may be a story brewing revolving that setting, but I think it would be set in the past, when it was the only hospital for the then booming mining town. The history will definitely play a vital role in the tale that develops, but I think paranormal vibes could steer the story in a particular direction. So, I guess the answer is both.


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Thank you, Kaye Lynne Booth for your great answers about the writing craft and this anthology set. If you would like to know more about Ms. Booth, please see her biography and links below: 


Author Bio

Kaye Lynne Booth lives, works, and plays in the mountains of Colorado. With a dual emphasis M.F.A. in Creative Writing, writing is more than a passion. It's a way of life. She’s a multi-genre author, who finds inspiration from the nature around her, and her love of the old west, and other odd and quirky things which might surprise you. She has short stories featured in the following anthologies: The Collapsar Directive (“If You’re Happy and You Know It”); Relationship Add Vice (“The Devil Made Her Do It”); Nightmareland (“The Haunting in Carol’s Woods”); Whispers of the Past (“The Woman in the Water”); and Spirits of the West (“Don’t Eat the Pickled Eggs”). Her western, Delilah, her paranormal mystery novella and her short story collection, Last Call, are all available in both digital and print editions. In her spare time, she keeps up her author’s blog, Writing to be Read, where she posts reflections on her own writing, author interviews and book reviews, along with writing tips and inspirational posts from fellow writers. She’s also the founder of WordCrafter. In addition to creating her own imprint in WordCrafter Press, she offers quality author services, such as editing, social media & book promotion, and online writing courses through WordCrafter

Author Links



If you like this interview, then read the others in the Lingering Spirit Whispers series: 


Thursday, April 2, 2020

April Flowers Quarantine Special: One Man, Two Guvnors

Today is the day for  the National Theater's production in London, England, UK at 2pm EST for Undawnted's April Flowers Quarantine Special.


Get your opera glasses ready!
  • April 2
  • ‘One Man, Two Guvnors’ by Richard Bean, starring James Corden.

To make sure everyone who would like to join our discussion can, Undawnted has moved up the coffee and chat to Saturday, April 4th at 8pm MST/PST. 


Have a great and wonderful theater experience!

_____

*Update: all workshops and special engagements have now been concluded, and new projects are now under Undawnted's Substack.

A writer at heart, Undawnted's own creative spark, DL Mullan, began writing short stories and poetry before adolescence. Over the years, Ms. Mullan has showcased her literary talents by self-publishing several collections of her poetry. She also writes novels, designs apparel, and creates digital art. Ms. Mullan‘s creative writing is available in digital and print collections, from academia to commercial anthologies. As an independent publisher, she produces her own book cover designs as well as maintains her own websites. She is an award-winning digital artist and poet. This year, DL Mullan has begun sharing her knowledge via A Novelist Idea Newsletter. If you too want to become a Fearless Phile, then subscribe to her newsletter on Substack.

Her innovative style teaches writers how to reach their creative potential, and write more effectively.

Learn. Grow. Master… with Undawnted.




Sunday, March 29, 2020

April Flowers Quarantine Special: Theater in the Round

This months quarantine special is the theater. Every Thursday a new theater production will be online for viewing by the National Theater in London, England, UK at 2pm EST.

    • April 2
    • ‘One Man, Two Guvnors’ by Richard Bean, starring James Corden.
    • April 9
    • ‘Jane Eyre’, adapted by Sally Cookson.
    •  April 16
    • ‘Treasure Island’, adapted by Bryony Lavery.
    • April 23
    • ‘Twelfth Night’ by William Shakespeare, starring Tamsin Greig.
    At 8pm MST/PST, Undawnted will have coffee and chat sessions set up via her Discord server space for all those who wish to discuss the play and how it pertains to the craft of writing (e.g., character development, plot, setting, and dialogue).

    Have a great and wonderful day! 
     

    _____

    *Update: all workshops and special engagements have now been concluded, and new projects are now under Undawnted's Substack.

    A writer at heart, Undawnted's own creative spark, DL Mullan, began writing short stories and poetry before adolescence. Over the years, Ms. Mullan has showcased her literary talents by self-publishing several collections of her poetry. She also writes novels, designs apparel, and creates digital art. Ms. Mullan‘s creative writing is available in digital and print collections, from academia to commercial anthologies. As an independent publisher, she produces her own book cover designs as well as maintains her own websites. She is an award-winning digital artist and poet. This year, DL Mullan has begun sharing her knowledge via A Novelist Idea Newsletter. If you too want to become a Fearless Phile, then subscribe to her newsletter on Substack.

    Her innovative style teaches writers how to reach their creative potential, and write more effectively.

    Learn. Grow. Master… with Undawnted.  




    Saturday, March 28, 2020

    April Flowers Quarantine Special: Theater for Writers Workshops

    Thanks to a virtual worldwide quarantine this spring, theaters have closed their doors in response. 

    Some theaters have decided to do a show just for the audiences at home via the internet. One such theater group is the National Theater in London, England, UK. They have set up four shows for the month of April. 

    As a lover, patron, and former thespian, Undawnted's proprietor, DL Mullan, will be participating in the online events. Sunday, Undawnted will be publishing the April schedule (a week earlier to accommodate the play schedule) for the quarantine special engagements that have been created just for you, her audience. Get your comfy chair piled with pillows and be ready to be dazzled by the world's best theatrical performers. 

    Then Undawnted will have coffee and chat sessions set up via her Discord server space for all those who wish to discuss the play and how it pertains to the craft of writing: character development, plot, setting, and dialogue. 

    A Special Engagement section will be set up for these writer's workshops. 

    Stay tuned... more details forthcoming!

    Have a great and wonderful day. 

    _____

    *Update: all workshops and special engagements have now been concluded, and new projects are now under Undawnted's Substack.

    A writer at heart, Undawnted's own creative spark, DL Mullan, began writing short stories and poetry before adolescence. Over the years, Ms. Mullan has showcased her literary talents by self-publishing several collections of her poetry. She also writes novels, designs apparel, and creates digital art. Ms. Mullan‘s creative writing is available in digital and print collections, from academia to commercial anthologies. As an independent publisher, she produces her own book cover designs as well as maintains her own websites. She is an award-winning digital artist and poet. This year, DL Mullan has begun sharing her knowledge via A Novelist Idea Newsletter. If you too want to become a Fearless Phile, then subscribe to her newsletter on Substack.

    Her innovative style teaches writers how to reach their creative potential, and write more effectively.

    Learn. Grow. Master… with Undawnted.


    Saturday, July 8, 2017

    Transferable Skills

    You may have heard this terminology while working on your resume. Skills that you have learned in one job or position are transferable into the next stage of your career. So learning in any capacity is helpful in the climb upward.

    In the last few weeks, I have been assisting fellow author, Kaye Lynn Booth with the Book Cover Art Event being held on Facebook. Sunday we will find out if we have made it to the 3rd Round. So be sure to vote for Delilah in the coming days! 

    As I was looking around the internet and on Facebook writer's groups for some advice and help, I was confronted by the question: why is it YOUR responsibility to do this Book Cover Event? 

    I was struck by the negative tone. My responsibility? I hadn't thought of it exactly in those terms. I had been having fun with the project. 

    That seemed to be the crux of what I have been discussing here on my site about the corporatization of the writing craft. For decades writers have clamored to get their books published through the big publishing houses. The stepping on each other for a chance at publication has damaged the community as well as our camaraderie.   
     
    How can the phrase: "transferable skills" bring sanity back into the writing community? The Independent Writers of the world can remember that self-publishing loosens the chains once tugged on by corporate entities. Corporations are only in our community for profits, not to move culture forward. 

    I see this corporate philosophy in writers' groups. I have had to recently excuse myself from one because the political climate became offensive to me. I said my peace and moved on. There was backlash of people unfriending and unliking my pages because writers have been embolden by the politics of ego.  For people who write about the human condition, some writers are oblivious to it.

    No, it is not all right to make fun of other people, push your political ideology, or sexual/gender issues onto other writers because the administrator deemed it a "Safe Space." Safe for whom? If I had run an experiment to see how the same group would have responded to political statements and bullying from the opposite side of the spectrum. . . yeah, the reaction would have be epic. 

    The corporate philosophy of fight amongst yourselves for this one spot on our list is over. Writers need to reevaluate what the writing craft means to them. Is it push come to shove, or learning what being in a community actually means? 

    Back to the question: why is it my responsibility? Isn't it everyone's? We have allowed ourselves to believe we have no responsibility to the bigger, wider world because corporations want to keep our thoughts, dreams, and aspirations small: a publishing contract. When in reality, the writing craft is about transferable skills. 

    My book cover art for: Delilah, written by Kaye Lynne Booth is a stepping stone into that wider world. I have gained as much as I have put into the project. I may not get anything of monetary value through this exploit, but I have received other rewards of learning new skills, obtaining a nomination, and understanding the fundamentals of online book events. 

    I could not have gotten any new and viable experiences hiding behind my keyboard and screen.

    Now I have transferable skills to assist me in my own solitary endeavors on Undawnted, and the expansion on Sonoran Dawn Studios

    When will the writing community at large step out of the shadows and back into the light? 

    I don't know about you. . . but I sure do like to win. 

    Have a great and wonderful day.



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