Showing posts with label Grafton's Ghost Child. Show all posts
Showing posts with label Grafton's Ghost Child. Show all posts

Tuesday, September 30, 2025

Undawnted Interviews: Joseph Carrabis, It’s a Man’s World & Grafton’s Ghost-Child, Day 2 of WordCrafter's Curses: Chronicles of Darkness Anthology Blog Tour


About  Curses: Chronicles of Darkness

There are all types of curses.

Cursed places, cursed items, cursed people, cursed families.

Curses that last throughout time. Curses which can't be broken. Curses which are brought upon ourselves. Curses that will kill you and those that will only make you wish you were dead.

Eleven tantalizing tales of curses and the cursed. Includes stories by Kaye Lynne Booth, Molly Ertel, C.R. Johansson, Robert White, Joseph Carrabis, Paul Kane, Danaeka Scrimshaw, Abe Margel, and Denise Aparo.

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Introduction

Welcome, this autumn we have two blog tours. The first is Curses: Chronicles of Darkness anthology of horror stories. Undawnted's author interview for the narrative, Joseph Carrabis, It’s a Man’s World & Grafton’s Ghost-Child. 

Please welcome her to Undawnted with our warm and graciously haunting hospitality.

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Interview with Joseph Carrabis


What is it about a Curse that inspires your imagination? 

Curses occur when someone has negative emotions towards some person, place, or thing. I can understand being mistreated by someone, feeling powerless to act socially or physically, hence resorting to a curse, but being mistreated by a place or thing? That implies agency, which means the place or thing has intelligence of some kind, which then implies intention.

The inspiration comes from asking "What interaction between the individual and the place/thing instigated the need to curse?"


Do you use mortal, paranormal, or supernatural means to render a Curse in your creative imagination?
 
The rendering agent depends on the delivery method and the desired effect. My stories here rely of preternatural phenomena (aliens) because (I hope) aliens are wiser than us.
 
 
Which type of Curse or progenitor of a Curse enticed you to write your story? 
 
In both my stories, the progenitor was man- or human-kind's stupidity. Considering women haven't had dominant or even equal social power in thousands of years, let's go simply with mankind's stupidity.

Do you believe that in order for a Curse to work that the target of that Curse has to believe in it?
 
Heavens, no! I think the best curses are when the recipient has no idea they've been cursed. Their lack of knowledge means they have no explanation for what's happening to them hence have no method of acting against the Cursor. Now the recipient is double cursed (a "twice the fun at half the cost" kind of thing).


Anything else that you would like to add about yourself, your story, or books? 
 
I tell people I write autobiography and its true. This tends to make people nervous. My sister often asks me if we were raised in the same house. I will offer that everything I write is based on something I experienced. I hope part of the fun for my readers is figuring out what, in the story, is the seed experience which gave the story life.

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About Joseph Carrabis

Joseph Carrabis is a master storyteller with a sharp sense of humor and deep linguistic expertise. Hailing from New Hampshire, USA, his passion for writing began at the age of seven while washing dishes with his older sister, Sandra. She’d read Mission to the Heart Stars’ for a book report and shared her fascination and excitement over the story. Joseph, a plate in one hand and a dish towel in the other decided, “I want to give that joy in the written word to people.” With a career deeply embedded in evolving technologies, Joseph served as Chief Research Officer, Chief Neuroscience Officer, and Senior Research Fellow at several institutions and agencies while earning numerous awards for his journalism and trade technical writing. Joseph refers to himself as boring - something loudly debunked by his readers and peers - and weaves wildly imaginative stories that dance on the boundary of the known and unknown sciences where natural, preternatural and supernatural intersect. Fans’ comments regularly mention Carrabis’ ability to bring together advanced mathematics, quantum physics, cybernetics, and neuroscience with believable multi-dimension characters and spellbinding future technology. Joseph has been nominated for the Pushcart Prize, recommended for a Nebula Award, and received an honorable mention in ‘Writers of the Future’.

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*Giveaway*

This tour, we’re giving away digital copies of Curses: to 5 lucky winners. Follow the tour and comment at each stop, so we’ll know you were there. You’ll be entered for another chance in the giveaway at each stop. Winners are chosen through a random drawing by WordCrafter Press. We’ll be watching for your name.

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Support Great Artists 


Writers of the stories in this dark fiction anthology deserve your support!
 

Make a purchase and keep creativity alive during this Halloween season. 

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Tour Schedule 

Day 1
Stop 1 – Writing to be Read – About the Curses Anthology & Meet Denise Aparo
Stop 2 – Undawnted – DL Mullan Interviews Denise Aparo

Day 2
Stop 1 – Robbie’s Inspiration – Kaye Lynne Booth & Joseph Carrabis with Readings of “It’s a Man’s World” & “Grafton’s Ghost-Child”
Stop 2 – Undawnted – DL Mullan Interviews Joseph Carrabis

Day 3
Stop 1 – Poetry by Mich – Meet Abe Margel & Paul Kane with a guest post about the inspiration of his story “The Weeping Man”
Stop 2 – Undawnted – DL Mullan Interviews Paul Kane

Day 4
Stop 1 – Roberta Writes – Meet C.R. Johansson & Robert White with a guest post about the inspiration for “The Longspeth Curse”
Stop 2 – Undawnted – DL Mullan interviews Robert White

Day 5
Stop 1 – Writing to be Read – Meet Kaye Lynne Booth, Danaeka Scrimshaw & Molly Ertel with Inspiration Video about “Clover’s Mirror Box”
Stop 2 – Undawnted – DL Mullan interviews Danaeka Scrimshaw  
 

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This post is sponsored by: 
 

Available at these fine retailers
Winter 2025-26:
 
Book: 
 
“'Kurst'” has many elements that make it a good horror/suspense story! The family history of the heroine/protagonist gives a great story foundation. One of the best elements of a story is a good dark secret! The secret and how it plays out gives the reader a satisfying ending."
 
 

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